An empty space is a blank canvas. The objects we choose to fill these spaces not only show glimpses of who we are, but are the foundation of what the space is destined to be. At Elysian Collective, we know that each layer of design is important, and discovering the perfect objects that express the details words cannot convey is what drives our interior styling services.
"Each piece transfers its own story and history into the space."
With backgrounds in interior design for hospitality groups, founders Jamie Williams and Michael Brown know how to transform a space into a place to be. After years of working for hotel giants such as Rosewood Hotels, Marriott, and the Four Seasons, they discovered a mutual love and passion for the styling process. When forming Elysian Collective, they knew that interior styling would not only allow them to continue the work they were passionate about but would also allow the artists and makers they collaborate with to be showcased in a wide array of venues. “We love people, we love services, we love taking care of clients and styling provides that creative outlet for us to be able to share our collection and showcase the work of our artist partners in beautiful spaces,” said Jamie. “A goal of Elysian Collective has always been to expose the artists that we’ve worked with and their beautiful creations to a wider audience. What better way to do that than to display [their work] in a physcial space versus just seeing it on our website?” Michael added.
To begin the process, Jamie and Michael work with interior designers and clients to gain insight into their vision and explore the space from an architectural and geographical lens. “We really want to gain an understanding of what the design narrative is, and then create an accompanying narrative for the styling layer. We want to ensure that our component tells a story as well. Each piece transfers its own story and history into the space, and we want to ensure it's interwoven and coordinated with the design,” said Michael. “As interior designers, we understand that a space is not finished until it has that layer. That’s really what drives the storytelling of a space, and makes it feel complete and balanced,” explained Jamie. “Once you bring in art and objects it’s really what takes the space and gives it personality and character. It’s a way for people to express themselves and their uniqueness.”
From here, Jamie and Michael set out to track down the perfect objects for the space. This exercise is a labor of love, and one that takes a lot of searching. When selecting decor, they take note of the design elements of the space and find the ideal accents in form and materiality to incorporate. Whether it’s elevating the elegant beauty of a modern design with sleek glass sculptures or uncovering vintage finds that have the same details as a room’s crown moldings, all of these facets serve as points of connection. While there are differences between styling for residential and hospitality spaces, the key point is to find a way to give a space that hasn’t been lived in a sense of home. For residential styling, the goal is to show prospective buyers what their lives could look like in this space, whereas for a hotel, it’s to create a sense that this place serves as a home away from home. With the absence of personal touches, finding the right pieces that connect the space to the clientele and the area surrounding it is what gives these spaces life and a soul of their own.
When asked why they believe their styling stands out, Jamie explains that through building a wide network of artists, the Collective is able to give clients access to styling that steps outside the bounds, effectively creating a look that distinguishes their clients from the crowd. As our founders continues to take on luxury projects with the Thompson hotel chain and Unicus Developments, Jamie and Michael are eager to share more of what styling can do for you. Your space is more than just a room, it’s a place to connect, create memories, and to show the world who you are.
The holiday season is here, and so is the search for the perfect gift. A hunt for the rare and beautiful is what we find ourselves in this holiday season; discovering a gift that expresses gratitude, love, and appreciation for our special someone. It’s a time to not only be grateful for those around us but to show ourselves a bit of love and kindness. In honor of this holiday season, we’ve curated a list of gifts that are not only a gesture of appreciation but a gesture to embrace life’s simple pleasures and luxuries. Our list is filled with beauty, self-care, home decor, and more. Whether you're shopping for a loved one, or looking to treat yourself, we have the perfect list to help you find that special something.
It wouldn’t be the holidays without hosting. From bubbling champagne, to crafted cocktails, your holiday drinks deserve a luxury glass. Add a pop of color to your bar setup this season with the Colorful Coupe Cocktail Glasses. These glasses are all you’ll need to make a delicious drink due to the 9 oz rounded top and the 4 oz flute shape bottom. Pour a crisp glass of sparkling wine in the top, or measure out some festive spirits in the colorful bottom. These glasses are available in a Highball and Hourglass shape as well, allowing for endless opportunities to mix and match. Elevate your holiday hosting with an assortment of these whimsical glasses!
Price: $72 (Set of 2)
Take advantage of the morning silence, and make a coffee that’s delicious with the Le Creuset Café Stoneware French Press. Made from premium stoneware, this french press is easy to use, easy to clean. Without a paper filter, more oils from the coffee beans enter the brew, leaving you with coffee that’s rich and flavorful. Use Stumptown Coffee Roasters Evergreen Coffee Bean and let the sweet smell of chocolate, the freshness of orange, and the coziness of vanilla be your morning alarm. Give your mind and tastebuds a treat with this new take on your morning routine.
Le Creuset Cafe Stoneware French Press
Price: $68 - $85
Stumptown Evergreen Coffee
Price: $18 (12 oz.)
As the winter nights take over, it’s time to get cozy underneath warm blankets and clink cups of hot cocoa. The Foundry Belgian Linen and Wool Striped Throw is a true example of luxury relaxation. Made from a decadent combination of Belgian linen and wool, this throw is incredibly soft, but surprisingly lightweight. The cream and rust colorway gives the throw an interesting look, while the fringe detailing adds a gentle touch. This throw is adaptable to any color palette, and its size makes it a great addition to any couch or bed.
End your winter nights snuggled in soft luxury and share the Foundry Belgian Linen and Wool Striped Throw with loved ones this holiday season.
Price: $495
Our Toasted Marshmallow Mugs are a unique spin on a classic gift. Hand-made in Belgium from reclaimed clay, these mugs feature an organic speckled pattern that’s different for each piece. Variations in size and shape from the handmade quality gives these mugs a personal touch. Glazed in a white ceramic and decorated with a brown rim, these mugs are perfect for the holiday season.
Enjoy with Stumptown's morning coffee, or wind down with an afternoon tea. The Toasted Marshmallow Mugs are perfect to share holiday cheer with loved ones, and to give back to independent artists this season.
Price: $110 (Set of 2)
Bring the scents and smells of the season to your loved ones in a unique way. The Flamingo Estate Seasonal Harvest Box provides an assortment of bath, home, and kitchen essentials with unusual seasonal scents. From candles, to olive oil and surface cleaner, this box is full of self-care and home-care necessities. To all the at-home chefs, the farmers market lovers, and the foodies, this is a must-have mix of food-themed items.
Price: $250 (1 Time Subscription)
As the new year looms, give your space an upgrade with the Pedestal Vase with Handle and Rings. Combining themes of modernism with the aesthetics of Egyptian craftsmanship, this vase attracts attention. A series of hand movements, a balancing act between pressure and release; these are the techniques that morph together to create this dramatic, yet simple vessel. The thick cylindrical base balances the weight of the bulbous top and wideness of the opening. Curved handles provide a delicate touch to the overall look of the vessel, while slightly thicker rings serve as a merger between the varying densities. The Black Pedestal Vase is a piece that is destined to stand out in any setting.
Price: $225
Amid holiday stress, it’s important to take a moment and care for yourself. Take the time to pamper, and revel in serenity and relaxation. The Wilding Beauty Empress Collection is the perfect way to treat yourself to a well-deserved facial. Founded by an acupuncturist, holistic esthetician, and herbalist, Wilding Beauty uses methods from traditional Chinese medicine to create a gua sha that aims to transform skin. The Empress Collection includes tools that help lift and sculpt, resulting in a plump, smooth, and bright face. Take the time to reconnect with yourself this season and perform an act of service that is both satisfying and gratifying.
Price: $129
When it comes to setting a table, napkins bring the tablescape together with style. We focus on having extraordinary plates, festive glasses, and sparkling silverware, but don’t forget a beautiful napkin selection. The Marie Striped Belgian Linen Napkins are both functional and fashionable. Handwoven using earth-toned belgian linen, these napkins add an accented detail that will complete any tablescape. Pair as the focal color against white plates, or use to tie in other green details on the table. No matter how you style them, these napkins are a must-have for your holiday dinners.
Price: $70 (Set of 2)
The tangible and textural connections to our collection are those that can only be made in person.
Nestled on Highway 237 between Austin and Houston is the small town of Round Top, Texas. With a population of roughly 100, this sleepy, unassuming town is revered by designers, antique collectors, and lovers of all things vintage. Twice each year visitors travel down the stretch of highway to discover antiques that span centuries, luxury home goods, handmade objects by local vendors, and so much more. The event cultivates community between diverse groups, expresses creativity in distinct ways, and merges the past with the present.
Collecting antiques is a labor of love. Whether it’s passing down family heirlooms through the generations, or sourcing a specific piece from decades ago, antiques and vintage objects share stories from diverse walks of life. Past trends always find their way back into the modern discourse. We see it today with younger generations expressing intrigue in the 1970s mid-century modern look, or with the “Cottage Core” trend taking notes from rural European life. Antiquing is a great way to find pieces that are unique, but is also a more sustainable practice. Instead of buying a replica of a classic piece, head to an antique fair and discover what classic pieces lie within. To learn more about how we source our vintage collections, check out the “The Beauty of Shopping Vintage” journal article.
Round Top is a biannual event, and hosts hundreds of vendors every year. From small town trinkets to fine art, there’s something for everyone amongst the various venues. This year, Elysian Collective joined The Halles, the hub for all things luxury. Companies such as Dallas based brand Forty Five Ten, and Belgian artist Sabine Maes gathered in The Halles to partake in this VIP experience.
Guests were able to leisurely stroll through the modern barn style setting, sampling various foods and drinks. In the midst of the exciting insanity that comes from Round Top, The Halles provides a calmer atmosphere for guests, antique dealers, and designers to truly connect, according to PaperCity. A true admiration for everyone’s craft was felt amongst vendors, and the ability to connect with new audiences was a welcome delight. As a digital brand, it is rewarding to be able to have guests not only connect with us physically, but to be able to truly revel in the luxuriousness and beauty of our assorted collection. The delicate lightness of the European linen throws was felt between fingertips. University of Texas fans found delight in discovering the burnt orange hue of the MAMO Coupe Glass. These details are those you cannot effectively describe in words. The tangible and textural connections to our collection are those that can only be made in person.
Round Top was an amazing pathway for us to bring the collection to people outside of the digital space. We were fortunate to find community across Texas, and across continents. Seemingly unreleated walks of life all came together to share a love for design, objects, and most importantly, antiques. As we look towards our future, we’re eager to host more pop up shops so you can truly experience the power of the rare and beautiful.
Perfect imperfection: this is the principle that drives artisan Taylor Ruby Bell when making her sculptural vessels. Bell finds her rhythm with clay, and allows the medium to bend, pinch, and shape in whichever way it wants. Finding a balance between uniqueness and pure expression, Bell’s sculptures are true works of art.
With a background in art dealing Post War and Contemporary prints and multiples, Bell has an eye for detail. With this way of seeing, Bell uses the process of pinching and coiling clay as the focal point to each of her pieces. She pays homage to her Egyptian heritage and ancient artifacts, while also combining the design principles of Modernist art, furniture, and architecture. Each vessel combines methods of ancient worlds with the modern age, resulting in art that is truly timeless. Bell and her work encompass the ideals of Elysian Collective, which is why we are thrilled to welcome her as part of the Collective.
"I found myself craving a creative outlet that was entirely my own, so when a friend invited me to take a wheel throwing ceramics class with her, I didn't hesitate."
Every vessel she creates is filled with passion, dedication, and stories from now and the ancient world. She tells the stories of her life, her ancestors, and her past through different techniques and textures. Each curve, pinch, and ridge is a guideline to who she is, who she has been, and who she may become. Discover more about Bell and her work in the interview below.
TRB: Like all of my favorite artists, my inspirations are wide and disparate, but the connective tissue is always beauty with a sense of history. I grew up with an intense fascination with all things antiquity, due largely to my Egyptian heritage. The organic, slightly asymmetrical shapes of ancient North African and Mediterranean pottery really resonate with me, as does the heartbeat found in that imperfection. As a former art dealer, I'd say that Modern and Post War art / architecture / and furniture are in my DNA as well–particularly by artists like Josef Albers, Vija Celmins, and Ellsworth Kelly–with those principles of line and form imprinted in my psyche. When considering my own work, the sweet spot is in that space where antiquity and modernity merge through the combination of textural/unglazed clays and ancient forms.
TRB: I came to ceramics rather late in the game. I originally went to art school and received a BFA and MFA in studio art, but never really thought of myself as an artist. I knew I loved looking at and talking about art, but wasn't as interested in making it. At the time, I didn't feel I had talent in that area, but I could recognize it in others, which is what led me to art dealing. I spent 10 years working in galleries, with my last tenure as the director of a New York gallery dealing in Post War works on paper.
Toward the end of my art dealing career, I went through a rather arduous fertility struggle, and after several rounds of IVF, was finally able to conceive. Something about that struggle really made me reevaluate my career and life as a whole, so I resigned, not really knowing what my next step would be, outside of motherhood. So, after the birth of my daughter (who we named Vija after my favorite contemporary artist Vija Celmins), I'd spend almost every afternoon at either the Met or the MoMA, gazing at ancient, Modern, and Contemporary art while my baby slept in the carrier on my chest. I found myself craving a creative outlet that was entirely my own, so when a friend invited me to take a wheel throwing ceramics class with her, I didn't hesitate. I was terrible! But, it didn't matter, I just loved how it felt to have clay in my hands. So, I kept practicing. I ditched the wheel and started hand building at my kitchen table, and suddenly my hands and body felt at home. I knew what I was doing, and haven't stopped since.
TRB: At its core, my work is emotional. For example, my daughter Vija is five, and she loves to be in my studio with me while I'm working. She recently went through a phase where she'd write me notes and fold them up really small, then secretly drop them inside vases that were drying. I'd later find these scraps of paper that said "mom / V" while loading up the kiln.
One evening after finding another note, I was flipping through an old art history book and came across images of these beautifully carved niches within ancient Egyptian tombs which were meant to house memories. It gave me this incredible idea to carve out a niche within one of my vessels where I could metaphorically place all of my Vija memories, giving birth to the Altar Vessel. It's a piece that is so personal to me, and is also a love letter of sorts to anyone who chooses to honor someone or something special in their life.
TRB: Curiosity and excitement. When coming up with new concepts, I rarely sketch in the traditional sense of pen-to-paper. Occasionally, I'll make small 2-d maquettes that help me decide which clay or textural treatment to use. But, more often than not, I start coiling with a vague shape or idea in my head and let the clay and the form speak to me. I work this way because new shapes come from this kind of low-expectations exploration, and the most successful results are almost always a departure from my original thought.
TRB: I'll be doing more collaborations with my favorite interior designers and design dealers!
New bonds between mother and daughter, combining old worlds with new, and finding a new passion through a new opportunity, these are the things that Bell has found through her craft. She truly shows what it means to be not only an artist, but someone who finds connection, community, the perfection of imperfection in handcrafted pieces.
Crisp, clear blue water beats against tall, rocky edged cliffs. Brightly colored buildings cover every square inch of land along this coastal city. Railway cars roll down sloped streets covered in cobble stones. The ocean breeze provides the background noise to a bustling metropolis. Serving as a home to many, and the capital city to the country of Portugal, Lisbon is a must see place this summer.
Known for its rich history, intricate architecture, and gorgeous beaches, Lisbon is a beacon for arts, culture, and adventure. From ceramic tiles, to gothic architecture, to some of the best seafood, Lisbon has something to offer for all its visitors. Here are our top recommendations for sights, eats, and stays in the City of Seven Hills.
(Headline Image: Portuguese National Pavillion. Courtesy Viuva Lamego)
Designed by British architect Amanda Levete and AL_A, the Museum fo Art, Architecture, and Technology (MAAT) explores contemporary culture through various medias. Since 2016, the museum has used visual arts, new media, architecture, technology and science to explore different social and cultural topics. The curved white building mimics the ripple of a wave, as the museum itself touches the edge of the Tagus River. Slanting limestone tiles mimic ceramic tiles, one of Portugal's staple pieces of art and an integral design of the local architecture.
Guests are welcome to explore all of the MAAT campus, including various ongoing exhibitions, and can tour the once operational power station that is located on the museum grounds. Currently, the museum has 9 exhibition, all which tackle the changes in both local and global art, architecture, and technology. With tours starting at $9.90, the MAAT is a great way to spend an afternoon learning about the ways art, technology, and architecture affect the Portuguese culture, and cultures across the world.
Since 1509, the National Azulejo Museum, or National Tile Museum, has welcomed guests to discover the beauty of Portugal’s ceramic tiles. Dating back five decades, the collection begins with Queen D. Leonor’s reign in the 15th century, and continues to modern day.
The museum itself is located in the former Madre de Deus Convent. Once a place of holy worship, the 16th century building is decorated with Portuguese baroque details, gilded and carved wood, paintings and tile panels. The outer walls are covered in ceramic tiles, hand painted with blue and yellow floral like details. On the inside of the church, golden frames border different paintings of biblical scenes.
The original tiles from the church were made in Holland and placed on the walls in 1698. Artists such as Willem Van der Koet painted scenes from the Bible, like “Jehovah calling Moses”, or beautiful scenes of rustic country sides. These tiles work in tandem with the museum’s collection, allowing guests to discover the history of Portugal through centuries of craftsmanship.
Located on the most famous road for shopping in Lisbon, A Vida Portuguesa is upholding Portuguese traditions of craft making. From hand-sewn leather bags, to quirky ceramics, to graphite pencils that date back to the 1920s, this store gives you history you can hold.
Once a former perfume factory, the building still possesses it's old charm. The original wood cabinetry line the walls, and are now filled with unique trinkets, woven blankets, and other products. Linens embroidered with traditional Portuguese floral patterns bring a sense of whimsy and life to the yellow hued shop. Pungent scents, such as rosemary and olive oil, perfume the room due to the abundance of soaps and other toiletries one can peruse.
La Vida Portuguesa embraces tradition and craftsmanship, as we do at Elysian Collective. They believe in the ability to share stories and bring different parts of the world to our homes through remarkable pieces of decor. This Portuguese craftsmanship is beautifully exemplified in our collection's Souk Decorative Mirrors. This mirror involves 5 distinct types of material and handcraftsmanship, taking 8 weeks to complete, resulting in an exquisite piece of art.
In the heart of Lisbon, dinner and a show awaits. Once an abandoned 350-year-old palace, now a hub for theater, food, and connection. Founded by French architect Julien Labrousse, Palacio do Grilo is truly a once in a lifetime experience. Guests can marvel at the beauty the palace has to offer, as well as the various works of art and sculpture scattered around the grounds. Once inside, every member of staff is a performer, and entertains restaurant goers with a life performance, directed by Oliver Urman. Once known as the “Dreamer of Stone”, Palacio do Grilo is truly a place where fantasy can become reality. Serving a variety of cuisine, and open for breakfast, lunch, and dinner, the Palacio do Grilo is a must try.
For a more traditional option, the Taberna da Rua das Flores is the place to go to get in with the locals. From seafood to historic tapas, the Taberna da Rua das Flores is the place to go to try all the local favorites. Located in a small tavern, the restaurant is decorated with wooden chairs, cabinets filled with trinkets, and a chandelier made from wine glasses give this place a true hometown, rustic charm. Featuring a chalkboard menu, you’ll never get the same dish twice as the chefs are constantly cooking up new dishes. The Taberna da Rua das Flores does not accept reservations beforehands, so be sure to put your name down on the wait list upon arrival.
A former home to an 18th century count, the Verride Palácio de Santa Catarina is a beacon of history. Designed by architect Teresa Nunes da Pont, the four floor building highlights the city’s architectural and design focal points. Combining modern design features, such as jewel toned furniture, with restored elements, such as hand painted ceramics and baroque clading, the Verride Palácio de Santa Catarina shows how Lisbon's design style has evolved over time.
From marble pillars, to rooftop pools with views of the entire city, this destination hotel is truly fit for royalty. Enjoy a tailor-made breakfast by the hotel’s head chef, or wander right into the heart of Lisbon's old town for a day of adventure. No matter your reason for visiting Lisbon, the Verride Palácio de Santa Catarina is a perfect place to discover the city in a luxurious way.
Part of the Marriott Group’s Autograph Collection, The Ivens shows the style of Lisbon’s Chiado neighborhood.Standing out amongst the limestone buildings, this pink hotel pays homage to the creativity that spawned from the XIX century. Creatives, artists, and bohemians, have made this hotel a place to cultivate creativity, passion, and consider it a space where art comes to fruition. The eccentric design features, including wicker chairs, jungle wallpaper, and old Hollywood-esque banana leaf decor, truly give this hotel a character one has to experience for themselves.
Designed by Spanish interiorist Lázaro Rosa-Violán and the Portuguese Cristina Matos, the hotel draws inspiration from the travels of Ivens and Capelo, two of the greatest Portuguese explorers. With 87 rooms, the hotel is a quaint, yet lively place to stay. Nestled in the heart of the city, getting from place to place is easy and allows guests to experience Lisbon as a local.
With summer slowly approaching its close, Lisbon is the destination to end the season right. Whether you’re looking for a quick weekend away, or need a new spot to immerse yourself in breathtaking art and architecture, the city has something for everyone. Get lost in the wonder of the city where the mountains meet the sea.
Collaboration, community, creativity. Three things that alone bring together people from all walks of life, but together can create intriguing and innovative events. That’s what happened at CoCollect’s new event, Supper Studies. As a brand whose focus is on making art accessible to everyone, CoCollect partnered with Flatbed Press and Chef Colter Peck of Elementary Austin for a night filled with art, food, and community. Elysian Collective was thrilled to be a part of this event, styling the tablescapes and floral design to create an atmosphere that tied the various art forms together.
Based in Austin, Texas, CoCollect aims to highlight the diverse creative outlets in their home city. Taking their background in art curation and collection, the brand ventures out on a new project to highlight the atmosphere of Austin, while introducing locals and visitors to the unique local businesses the city has to offer.
"We launched supper studies as an opportunity to bring creative community together over great art and artful food." - Keli Hogsett, Founder of CoCollect
For their first iteration of Supper Studies, Flatbed Press hosted CoCollect, Elementary, and guests at their personal studio in Austin. Filled with various screen printing machines and an assortment of prints made by the brand for local artists and personal projects, the setting was a perfect way to tie together art, food, and community.
Upon arrival, guests were greeted with a welcome drink and Hors d’oeuvre, served on our Merida Marble Trays. The intricate marbling of the tray, coupled with the decadent small eats, provided a charming introduction to merging of art and cuisine that the event centered itself around. Following cocktail hour, the Flatbed Press team invited guests to follow them into the studio to begin an hour long demonstration on different types of print making. Since 1989, Flatbed Press has been a beacon for artists to showcase their skills in print. From lithographs and screen printing, to etchings and woodcuts, the team has created a space where people can come to learn new skills and connect through artistry.
For Supper Studies, the Flatbed team showed guests how to make prints using the lithograph, screen printing, relief, and intaglio methods. Gathered around a screen printing machine, guests watched as the different zones of color were squeezed through the mesh screen to reveal a print made by local artist Carter Watkins for Supper Studies. After a demonstration by the Flatbed team, guests were able to make their own prints to take home.
As the night progressed, guests were led to the dinner table to partake in a three course meal. Elysian Collective had the honor of partnering with CoCollect to design Supper Studies’ dinner table. For the tablescape, the goal was to tie all of the elements of print making and cooking into the different pieces.
To honor the spontaneity and artistry associated with print making, marbled trays and ceramic plates were used to serve the hors d'oeuvres course. While one can reprint the same graphic over and over, there will also be subtle differences in each one. Whether it’s a tiny smudge from too much ink, or a slightly faded spot to where the ink didn’t reach all the way, each print is its own. Like prints, each marbled tray and hand-formed plate has it’s own unique and personal design. Each curving line in the design is different from another piece in the set, giving each plate its own story. While the artistry of the evening was important to the overall look and feel of the table, the main objective was to convey the craftsmanship that went into each and every part of the event. Flatbed Press makes their prints using their own hands; Peck creates his dishes using his own hands; We styled and set each table setting by hand. The connection that ties us all together is our love for creating and dedication to our crafts. We wanted this theme to be present throughout our table design, and chose to show that through selecting pieces that were handmade by artisans. From the clay vases, to the ceramic bowls, every item on the table is a beacon of craftsmanship and tells its own individual story.
The night’s four course meal was planned and prepared by Colter Peck, one of the founders and chefs at Elementary. Starting off as a pop-up, Colter Peck, Chris Arial, and Allan Bautista use collaboration and creativity to combine flavors and cuisine in a unique and uncommon ways. For Supper Studies, Peck created a menu using the print making theme as his muse. The meal started with a selection of appetizers, including chicken skewers, succotash tostones, and the restaurants famous al pastor tortellini. After the appetizers, Peck and his team introduce the night’s three main courses. Following the theme of bringing food, art, and creativity together, Peck designed a menu that was inspired by the three steps to print making.
Course one was “Press: salad”, which consisted of pineapple sage, tomato, washed serrano, brown butter, and a compressed peach to fit the theme. Course two, “Stamp: Main”, was a short rib corzetti with a demi glaze that was “stamped” with different herbs. Rounding out the meal was course three, “Screen: Dessert.” Dessert was the true culmination of how all three of these different elements and companies came together. Peck served a black sesame cake with pickled apricot, mint, and custard. What truly made this delicacy special was the tea bag detailing that was “screened” onto the black sesame cake to mimic the completed product of a successful print. It was a detail so minuscule one might have not taken any notice too, but really captured the entire essence of what Supper Studies is trying to convey. A unique collaboration that not only makes art accessible to all, but highlights to different creatives throughout the city of Austin, while also brining the city together.
As guests chatted over a meal, and sipped on delectable wine supplied by WM Chris Wine Co., there was a certain air of togetherness.
“The room was filled with a sense of inspiration and connection — which is what we hope to provide to our members. So it was exciting to see it come to life in such a tangible way in just a few hours." -Keli Hogsett, Founder of CoCollect
With a new found sense of connection, the Supper Studies series ended as a success. An art form that is centuries of years old is still a way to not only share stories, but as a way to create them as well. Paired with glorious food, and even better company, there’s no denying that there’s a profound sense of community that can come from unlikely places. As CoCollect begins to plan the next Supper Studies for September, we cannot wait to see what new ideas come to life from this one special evening.
As the sky turns from bright pale blue, to a vibrant pink, a glass is raised. Fulfilling conversations about the millings of every day life come to a close, as a toast to good company is shared. Chatter resumes, the sun fades to black. Conversations shared over plates of gorgeous food can bring about connection to last a lifetime. As the summer sun begins to shine, and the nights linger for longer, now is the time for a dinner party. Gaining popularity during World War II, the dinner party has transformed from a way to show status, to a way to gather friends and families together. While there are many moving parts that go into the execution of a dinner party, the dinnerware plays a role as the focal point to the table. It’s the plain canvas that’s waiting to be decorated with the masterpiece of your cooking. It’s the welcoming presence that invites guests to the table, and invokes the excitement of the night to come. Dinnerware is more than objects on a table, and selecting the right set is no simple task.
Elysian Collective expands its collection, and welcomes Elea Lelimouzin and her Black and Sand Stoneware Dinner Sets. These handmade sets share stories of their own, as the abstract detailing attract the eye. From striking stripes, to merging of colors through the different settlings of glazed clay, these sets are truly worthy of being the center of attention. See how to plan an entire dinner party that’s perfect for summer nights featuring Lelimouzin’s captivating dinnerware.
"Conversations shared over plates of gorgeous food can bring about connection to last a lifetime."
Located in the historic and scenic South of France, Lelimouzin combines the masonry that surrounds her into unique, handmade dinner sets. Throwing the clay by hand, Lelimouzin is able to incorporate her raw emotion into each piece. Taking great detail of care and intention, each piece houses a sense of individuality. Specializing in black stoneware, all pieces are glazed with Lelimouzin’s own recipes. From the designs alone, viewers can tell that Lelimouzin puts her heart and soul into every collection she makes, creating dinner sets that are perfect for serving and even better for creating conversation around craft and artistry as a whole.
Since this set consists of beige and brown tones, finding table accessories that have complementary colors will elevate the overall look of the table. Try thinking of orange, reds, or deep greens to bring about an earthy, warm setting. If you’re looking for a more coastal approach, try hues of light blue, cream, or even different tones of beige. Materials such as linen, lace, or soft cotton match the natural, smooth texture of the plates. Using these materials and colors to guide your tablecloths, napkins, and place settings will allow your table to share a story of its own. Seemingly mundane objects have the ability to set the mood, and transport guests into whichever world you plan, all thanks to the merging of colors, materials, and aesthetics.
To complete the table setting, glassware and utensils are the pieces that pull the entire tablescape together. Glasses can add height and dimension, giving your table setting different focal points. Utensils can provide bouts of conversation through intricate detail, or can pull the color story of the table together. Pieces with flare are the way to go. For glassware, try beaded detailing, or Art Deco inspired stripes to add dimension and texture. Utensils with engravings, or made from unique materials, such as wood or gold brushed metal, could be an intriguing addition as well. For inspiration, look to the Margot Collection by Felicia Ferrone for glassware and the Wabi Brass Flatware Set.
With the summer heat beating down, a meal that’s fresh, crisp, and fulfilling is a great way to wind down the day. Summer is the time to experiment with seasonal fruits and vegetables since there’s such a variety in flavours and textures. From plump, juicy apricots and peaches, to earthy, and pungent ramps, the combinations are seemingly endless for a recipe that is fresh and fulfilling. One option that’s sure to wow any crowd is a hearty salad with varying textures. Salad can often be overlooked due to its seemingly plain nature. However, it’s the perfect canvas to experiment with ingredients you may not think go together. It provides the perfect base to build a dish that is crunchy and savory, while also being fresh and sweet.
For a salad that has elements all guests will enjoy, try a roasted peach and prosciutto salad. Succulent char-grilled peaches are paired with salty prosciutto and thick, creamy balls of mozzarella to create a salad that’s simple, yet delectable. Top with thinly chopped pieces of basil and drizzle with balsamic glaze for a dish to transport you from the dinner table to the Italian coast. The light pinks of the prosciutto and the contrast of the warm-toned orange and pinks of the peaches allow for the beige tones of the Sand Stoneware Dinnerware Set to really shine.
Gather round the table, break a loaf of bread, and get lost in good food and conversation. These are the memories that we shall carry with us throughout our years. Whether it’s surrounded by family, friends, or strangers, let the delightful summer weather bring you together for good food, and even better table decor.
Since 1961, Salone del Mobile has brought the innovative future of design to one of the pillars of fashion and culture, Milan. Starting as a design fair to highlight Italian furnishing and exports, Salone del Mobile has grown to be a key event during Milan Design Week. Surrounded by illustrious architecture, centuries of history, and an undeniable sense of savvy, there is no better place to witness what the creatives of today are bringing to the forefront of design.
Before we go deeper into the happenings of this year’s event, let’s take a trip back to the beginning. Tasked with creating an event for architects, designers, furniture manufacturers, and more to showcase their talents, Cosimo Carli was in for a challenge. With the help of a group of Italian furniture manufacturers, Carli put together the first annual Salone del Mobile at Parco Sempione in the Palazzo dell’Arte. With 12,000 guests in attendance, and works from Gio Ponti, Zanotta, and other Italian craftsman on display, the first event was a success. Over six decades later, the Salone del Mobile has become an institution for design, and is renowned as one of the biggest events for design in the world. With top brands, such as Fendi and Louis Vuitton, partnering with the event to create one of a kind pieces to display, Salon del Mobile only continues to grow in notability.
For this years event, Salon de Mobile welcomed over 2,000 brands to design’s most important city. These brands spanned across 37 countries, showcased 550 young designers, and included brands from 28 design schools and universities. People traveled from across the globe to partake in this week long celebration of design, creativity, and innovation. After a three year delay due to the COVID-19 pandemic, the festival took over its usual location, the Fiera Milano.
Each designer brought a taste of modernity and vintage flair to their displays. Technology and its place in society was a recurring theme throughout different designs. From technology-infused fabric, to apps that control the temperature and type of water your refrigerator dispenses, the grip of technology was felt throughout varying displays and ideas.
No matter if you view these displays in person, or see them over social media, there is no denying the impact and creative nature that the Salone del Mobile brings to the design community. In celebration of the festival, here are three designers featured on Elysian Collective who showcased their talents at the 61st Salone de Mobile.
From the sunny coasts of Portugal, Dooq brought their sensual designs to the elegant city of Milan. A member of the Elysian Collective family, it was incredible to see their work showcased during Milan design week! Specializing in design that focuses on physicality, balance, and contrast, Dooq aims to bring objects that spark conversation and connection. Delicate materials such as velvet and straw pair with tough materials, such as copper and marble, to create an interesting dynamic between feminine and masculine design. We see these elements come together in items such as the Souk Mirror. An unlikely pairing of silk, bronze, satin, and marble creates an exquisite piece of decor fit for any home.
Another member of the Elysian Collective family, Forma Rosa debuted several new pieces at their solo show during Milan Design Week. Titled Natura Oscura (Dark Nature), the show featured different sculptures made by the brand that aimed to challenge viewers to “reconsider their relationship with the natural world and explore new ways of interacting with it.” For the show, Forma Rosa designed various new pieces, one of those being the Wave Form Stool. Using ceramic as the medium. Forma Rosa combine modern aesthetics with playful and whimsical motifs to create a stool that is a functional form of art. Paired with the Wave Form Vase, featured on Elysian Collective, the stools adds a sophisticated, yet intriguing touch to any space.
Known for intricate glassware, Felicia Ferrone brings elements of the Renaissance era to the contemporary age with STILL NOW. The Dinner. Ferrone transports the viewer back in time utilizing architecture and design. Hosting the show at the Villa Mirabello, a 15th century villa located in Milan, Ferrone sets a scene of a dinner party. Lining a table with royal blue cloths, plates, and dinner accessories, Ferrone allows the glassware to take the spotlight. Collecting pieces from the 20th century, this display showcases how the traditions of centuries ago still hold a place in the modern world. From tall, slender cups, etched with art deco lines, to wide, rounded wine glasses, Ferrone creates an interesting dynamic between height and weight to create a visually interesting composition. While one may not notice the beauty and skill that goes into crafting glassware, it is certain that after viewing Ferrone’s work for STILL NOW. The Dinner, that the viewer will leave with a newfound appreciation for the art of glassware.
SHOP OUR SELECTION OF MILAN SALONE ARTISTS
This year’s Salone del Mobile reminded us all that the power of design has the ability to not only transform our spaces, but plays a key role in bringing people together from across the world. Whether it’s through a vase or a chair, design allows us to bring different sectors of the planet into our spaces, connecting us little by little every day. We can’t wait to see what next year’s show will bring!
Despite the ever-changing times, one subject continues to serve as a muse. Nature will never fail to provide the starting point for various works of art, design, literature, etc. From nature comes materials that possess characteristics of a place that descriptions or replications cannot recreate. Whether it be a specific texture, a certain smell, or a color that a human cannot mix, natural materials provide the spirit of regions from which they hail that are one-of-a-kind.
At Elysian Collective, we understand the importance of natural materials, and value the interconnectedness between person and creation they provide. In a world where sustainability is becoming more and more important, we recognize that the business of design is one that is inherently wasteful. In partnership with artists and makers who share our values of sustainable practices and ethical conditions, we aim to create positive impact through design. In honor of Earth Day, we’re taking a look at different artists who use materials native to their countries, in conjunction with time-honored and handwrought techniques, to craft heirloom-worthy pieces.
In the central valley of Oaxaca, Mexico, one will find the town of Santa Maria Atzompa. Surrounded by luscious green hills, sparkling waterways, and ancient buildings from the Zapotec civilization, this Mexican town is rich in culture. Long before Spanish settlers came to Oaxaca, members of this community have created pottery from the natural materials that surround them. While the intricate pottery from Oaxaca serves as inspiration to many, it fuels Javier Reyes and his studio, rrr.es. After speaking with Reyes and learning more about rrr.es in our previous interview, we switch our focus to the significance of Oaxaca’s clay and the hundreds of years old technique.
In collaboration with the artisan couple Leticia Alarzón and Leopoldo Porra, rrr.es creates a series of vases that use raw clay from the surrounding environment. Potters hand-turn each piece, providing a personal connection to craft and culture. Once shaped to the desired look, the vases are sent to fire in a low-temperature wood-burning oven. When in contact with the fire and heat, the clay begins to change color, allowing Reyes and his team to provide an array of finishes for each vase. A material that’s often overlooked for its ability to create piece of varying complexity, Oaxaca clay carries tradition and allows modern potters to incorporate a piece of history into their products.
Moving from Mexico to the tropical mountains of Brazil, we bring our focus to Belo Horizonte, Minas Gerais. For us, Belo Horizonte is a gorgeous mix of metropolis and scenery, but for TAAT founder Tatiana Queiroz, it’s home. Queiroz looks to soapstone, a local raw material, as the primary resource for her design objects.
Soapstone’s natural finish showcases a harmonious balance between linear detailing and varying tones of colors. Queiroz highlights these variations through her designs, whether it’s by making a striking crack in the stone’s composition the center of attention, or by complementing the grey, taupe, blue, or warm pink shades of the stone with metal hardware. Queiroz utilizes the untreated pureness of soapstone to her artistic advantage, resulting in pieces that one can tell were made with intention and sophistication.
Ending in California, JG Switzer combines English and American wool for pillows that will be passed down for generations. Milling wool in their California studio and at their mills in England, JG Switzer knows the importance of heritage and refined material. Wool is a natural fiber, meaning that it’s healthy for the skin and for the planet. Natural fibers last longer than most synthetics, allowing you and those after you to love these pieces for years to come.
The Milky Way, Genesis, Redwood and Shetland Cloud pillows feature a felted wool that comes from the brand’s heritage sheep. Using dye from natural plant sources and highlighting tones in the wool itself, each pillow showcases a swirling, wave-like pattern that make for an interesting addition to elevate any piece of furniture.
The world of design impacts the Earth in more ways than one. While it’s important to keep in mind the waste design creates, it’s also important to highlight the artists and makers who utilize natural materials in their practices. Natural materials are not only good for the planet, but provide a personal, grounded connection between design and the sectors of the world our pieces come from. This Earth Day, use design to connect with cultures while collecting pieces to pass down to the generations to come.
As a proudly female-owned and operated business, part of the mission at Elysian Collective is to support and uplift fellow women in business, as well as female artists and makers who are creating extraordinary works to be celebrated and cherished. To cap off our Anniversary Month - which happens to also be Women's History Month - we sat down with Kellie Sirna of Dallas-based Studio 11 Design to discuss her experience growing her own business, as well as her approach to interior design and styling.
As Principal and Founder of Studio 11 Design, Kellie Sirna has designed some of the hospitality industry’s most inspiring spaces while growing the firm from a three-desk operation in 2011 to multi-city offices with 50+ team members. Kellie recently received the hospitality design industry’s most prestigious recognition, landing on the cover of Boutique Design Magazine as Studio 11 Design was named the 2022 Design Firm of the Year. Under her leadership, Studio 11 Design has achieved numerous accolades ranging from Inc. 5000 recognizing the firm’s growth to Interior Design’s Hospitality Giants honoring the firm’s commitment to their craft.
"I credit much of my success to the people, including many of my own team, who have helped me find a home in hospitality."
KS: It is vital to find your community and evolve with them. The designers, artists, hoteliers, restaurateurs, chefs, editors, and more I’ve met on my journey have become extended family members. We’ve watched our kids grow up on the road traveling for various projects. We’ve made it through global crises to see our projects come to life. We’ve learned from each other’s mistakes, built companies we’re proud of, and been a support system every step of the way. I credit much of my success to the people, including many of my own team, who have helped me find a home in hospitality.
KS: Thompson Buckhead and Thompson Savannah were memorable projects for our team because of the heavy emphasis on incorporating local art and found objects. Both projects were new builds located within destinations that have an intricate, enduring connection to the arts. These projects challenged us to weave a new narrative for the destinations through our deep dive into sourcing and styling for each property. We worked heavily with local artists, antiques dealers, local storytellers and booksellers to develop that last layer that really makes a project pop.
The Thompson Buckhead Hotel "brings to market a timeless space where culture is celebrated."
The 201-room luxury lifestyle property features chic midcentury interiors imbued with the warmth of Georgia hospitality. Jamie and Michael collaborated with the team at Studio 11 to select pieces from the collection to showcase throughout the hotel's public spaces. The earthy elegance of the Brazilian Soapstone pieces chosen adds an alluring element to the hotel's styling layer thanks to their graceful shape, purity of form and balance of lines, helping the hotel's interiors to strike a balance between modernity and the classic beauty of the surrounding neighborhood.
KS: I love to start with the neighborhood, history of the area and sometimes weaving in the story of the hotelier/restaurateur for a more personal feel. Another huge source of inspiration I derive from is my travels. The opportunity to see the work of the great masters up close and buying art at local markets sticks with me today. I think it’s so important to learn from the creative geniuses from before our time and learn the rules. As Picasso said, then you can figure out how to break them.
KS: Our work begins with a deep dive into the destination’s history and the building’s cultural significance and architectural heritage. Understanding the environment adds color to a project’s context. Then, we work with our clients to determine their goals, the function of each space, their budget and timeline. We’ll proceed through the process into the final step, which is the fabrication and fit out. Because of our deep research at the project’s onset, we’ll be able to seamlessly dive into sourcing the art and found objects that complete the narrative. We identify early which pieces we would like to be found and throughout the construction phase we make a series of local sourcing trips, meeting with vintage owners and scouring antique shops while also working with our great accessory vendors like Elysian Collective to pull together the final touches.
KS: I love the feminine beauty contrasted with the sharp lines of The Muses. References to Greek mythology — which is so ingrained with literature, science, and the arts — lend gravitas to a space in a way that feels effortless and artful.
While Elysian Collective founders Jamie and Michael travel outwards to find inspiration from every corner of the world, the local Texans find themselves rich in inspiration at home, too. There is much to be celebrated about Texas’ cosmopolitan cities as they serve as the backdrop to the state’s rising design and art scene.
Discover the unexpected pockets of Dallas through our handpicked guide, pulled straight from memory and experience.
A cultural axis of the south, Dallas has the largest contiguous arts district in the nation. With landmark museums and street art in abundance citywide, those looking to lose themselves in a dynamic district dedicated to arts and culture will have much to uncover in Dallas and surrounding art hubs.
The Nasher Sculpture Center is an oasis of beauty in Dallas. The grounds bring about a sense of serenity and stimulus, both in its quietest and loudest expressions of art. Adjacent to the Dallas Museum of Art, it’s a beautiful wind-down from the larger museum’s sprawling exhibits while retaining its diverse curation of art, featuring a stunning collection of works by artists like Henri Matisse and Willem de Kooning.
The tranquil garden, though near the lively Klyde Warren Park and a highway, transports you out of the city entirely and into a space that feels devoid of time and motion.
In nearby Fort Worth is the Kimbell Art Museum, a worthy departure from Dallas' Arts District. An architectural masterpiece of brutalist architect Louis Kahn, it is renowned around the globe for its European and Asian high art collections. The repeated barrel vaults are strikingly modern, creating a fantastical environment that draws you in with each step. Kahn designed a space in which "light is the theme," which pours in from skylights along the spine of the vaults and shines a natural, incandescent light on the pieces; an invigoratingly inspiring way to view the collection.
Though the collection of art is exceptional, Michael often finds herself gazing at the architecture of the buildings themselves. An addition designed by Renzo Piano—the renowned architect behind Paris’ Centre Pompidou—opened in 2010, complementing the progressive sensibilities of Kahn’s original design.
Nestled throughout the city are many home-away-from-home places to rest your head at night. When traveling, our soul often craves the comforting groundedness of the abode, and we sought out Dallas dwellings that provide luxury accommodations with the priceless feel of home.
In an awe-inspiring space that is fused with keen nods to the past, The Thompson Dallas brings the best of urban modernity to the luxury hotel sphere. Spacious rooms, plush bedding, large windows, ‘60s design accents, and outdoor space are all highlights to the stay. The style feels classic and contemporary, with cozy rooms that engulf you in an expanse of sanctum that embraces the bustling city outdoors. Driving the mid-century décor is the hotel’s historical roots; The Thompson is a reuse of The National, a modernist building originally designed by George Dahl that was built in 1965. The structure still preserves its DNA through its referential brass and walnut headboards, gilded accents, and vintage perception.
Looking for an upscale bite after a good night's sleep at the Thompson? Look to our favorite New York City classic brunch institution, Sadelle’s, to start your day. It’s located in the energetic Highland Park Village, and the famous salmon lox tower makes for a delicious breakfast or brunch outing in style.
Much like the dining culture of Dallas, the bar scene here offers many upscale locales that master ambience, complexity, and taste. Dallas’ bars light up the city nights and inspire wondrous delight in those who stumble into their dimly lit nooks and lavish interiors.
If ornate and debonair are what you're after, the historical Rosewood Mansion Bar is the place for you—delivering on aesthetic, ambience, and sensuality. A brand that is dear to Jamie, the bar at Rosewood Turtle Creek is an elegant haunt that transports you to a departed place that imbues nostalgia and sophistication. The masculine, enigmatic environment underscored by dark wood and cognac leather carries an air of old-world sophistication; an estate-inspired space that could have once been occupied by intellectuals, businessmen, and the like.
Enjoy a quiet moment alone or share intimate conversations with a classic cocktail (Michael favors their dirty martini) in hand. Upholstered booths, antique décor, and top-shelf offerings all add to the high-class experience, fitting of its namesake. The bar is set in the original owner’s dining room, and it feels as it’s the perfect balance of warm and luxe.
Another Dallas landmark bar, housed in a building that dates to 1874, Bowen House is your quintessential cocktail bar with a novel, historical twist. One of the city’s last standing Victorian dwellings, it truly embodies the marked historical preservation and modern innovation of Dallas. Tucked away in the back is a hidden, speakeasy-esque mezcaleria called Santos Y Pecadores, and it’s the perfect next destination after your first round of drinks at Bowen House. The candlelit atmosphere feels mysterious and moody, and its experimental drink menu expands the feel of mystique.
Our founders Jamie and Michael relish the opportunity to explore and experience, from their home towns in Texas to their travels around the world. Stay up to date with their excursions and discover their favorite recommendations here and on social media.
Inspiration and design ideas straight from the source.
Whether through the people behind their origins or the details of their design, objects communicate multitudes in their seemingly quiet state of being. Incorporating vintage decor among new pieces adds a signature specialty to one’s environment. Vintage is a special part of our collective, with each selection appreciated for its provenance, history, and timeless beauty. With the new year upon us, some of the best ways we can spark growth is through honoring and building upon the past.
The wonder an item can inspire is even more resounding for pieces that have life that spans beyond our own; a piece of the past that has passed through many hands to get to where it is now.
A vintage item’s value is not only in its preserved state, but also in those to whom it once belonged, in its distinctive craftsmanship, and in its reflections of a time through art and design. The imperfections that come with age beautifully showcase the mystery of the life lived before. A slight patina gives character and a warm, lived-in feeling. Whether the design has antiquated fabrication methods or an exclusive touch from the past, specialized elements create a distinguishable beauty in vintage that is rare, remarkable, and even momentous.
"Although there is excitement in all that is new, taking something one-of-a-kind home is especially intimate.”
Choosing to shop vintage is a lifestyle choice that goes beyond aesthetics; it is also one of the most environmentally conscious, thus making it one of the most rewarding. The sustainability movement is evermore of consequence and as a result many of us are increasingly mindful of our consumption and desire to shop with - or shop more exclusively with - sustainable values.
Vintage exemplifies the benefits of material circularity; something is created, used, re-used, and brought into a new life. This life cycle exists without the production of new materials which ultimately impacts the environment—often detrimentally so. From upcycling the designs or the changing of hands, these enduring objects are being constantly restored and made anew.
From outdoor flea markets to grand estate sales, there are so many ways to stumble upon old and new-world treasures. For the Elysian Collective brand, vintage pieces are sourced both locally and internationally. A truly worldly range, founders Jamie and Michael encountered exquisite arrays of antique treasures on specialized sourcing trips, including a visit to Paris’ renowned Saint-Ouen Market, a destination known to be a wonder of the vintage world. Both founders’ extensive design experience cultivated an expert perspective in finding exceptional beauty in their surroundings. Bringing that eye to finding unexpected gems on various vintage hunts added an extra layer of expertise to the selection of Elysian Collective’s secondhand offerings.
An eclectic range in many ways, our vintage spans generational decades, art and design eras, as well as places around the world. Our hand-selections encompass nearly all home realms, from textiles to furniture and decor, with each one-of-a-kind staple having the potential to create a truly unique home.
Among our most adored treasures is the Italian Bamboo and Leather Slingback Settee, a relic of the 1970’s that makes for a conversational centerpiece. Evocative of the style of Tito Agnoli, it exhibits many characteristic details of the mid-twentieth century Italian luxury designs he was known for. The bent bamboo frame is finished in a rich cognac and connected with leather strapping, supporting a patinated leather sling seat with wrap-around stitching and a brass nailhead detail. Handcrafted with distinctive design and fabricated from genuine tanned leather, the settee represents an era that will live on in your cherished spaces.
A unique take on vintage and sustainability, the Turkish Striped Anatolian Hemp Area Rug is upcycled from vintage hemp fibers. Turkish villagers cultivated hemp for grain bags and produce drying mats until it was prohibited in the 1960's. Today, Anatolian weavers wash and reuse these vintage fibers in their rugs with modern designs. Crafted with generations of heritage, the rug is timeless in its history of production and cultural character, made fully from plush recycled hemp.
Shopping vintage opens you up to a new world within the one we live in, and exposes you to the magic in giving something a new life. There is value in creating modern traditions around the specialty of bygone objects, as finding your own heirlooms can generate new life!
Gift-giving season is here, and the holidays are the optimal time to seek new treasures for loved ones and, just as importantly, for yourself. It is a season of togetherness, reflection, and a celebration for all that is truly special. An often stressful time, the need to step back and create space for renewal is vital—and the perfect way to do that is indulge in gifts made with exceptional artistry. As we’re always on the hunt for the rare and beautiful, our Holiday Gift Guide is a curated list of our favorite gifts that make for both a delightful present and an indelible gesture of appreciation.
The best way to pamper yourself on a long-awaited day off starts with a sumptuous silk pajama. Soho Home’s pure silk pajamas exemplify luxury comfort. The oversized fit and Art Nouveau-inspired patterned design add a dash of style to your at-home rituals, from your morning coffee to your nighttime glass of wine.
We are drawn to the floral motifs that were originally hand-painted by the Soho House design team using watercolors. The naturally hypoallergenic pajamas are thoughtfully detailed with a chest pocket embroidered with the Soho House logo, piping, and mother-of-pearl buttons. Inspired by Soho House in Rome, Italy, these pajamas evoke a pure sense of luxury.
Ever since founder Jamie Williams spent an unforgettable time living abroad in London, it has become a city that is dear to the Elysian brand. As scents connect us to memories, Jo Malone’s fragrance offerings were one of the many pieces of London that left an impression.
The brand is synonymous with British lifestyle, with each scent designed to be layered with another to create a distinguishable signature fragrance. Jamie's favorite fragrance is Sea Salt and Wood Sage which Jo Malone describes as a "crunchy nature of sea salt that brings both texture and a sense of freshness, while the sage base note is woody with earthy, aromatic tones that bring a natural depth". She loves the combination of layering this scent with Poppy and Barley, reminiscent of England's meadows. "A lively floral scent, enhanced by rose and violet and topped with juicy blackcurrants".
The steady flame of an aromatic candle makes for the perfect home ambiance from the brightest parts of the day to the slow close of night. Made from natural soy wax, our AireDelSur candles are chicly designed and richly scented with our Cardamomo, Rosa Negra, and Tabaco options. They're handmade in small batches to guarantee quality and care, without synthetic fragrances, paraffin, or palm oil.
Naturally sourced ingredients allow a clean burn that enhances your environment without any toxins. The subtle fragrances delight the senses, which are born of the materials that nature offers us.
For an on-the-go lifestyle, moments of reset and restoration are of the utmost importance. The Alo Yoga Magnesium Reset Spray is a body mist packed with magnesium, valerian, and other aromatherapy-infused antioxidants that work to soothe and hydrate the skin and soul.
Made clean, the formula applies topically delivering minerals to reset a stressed body and mind. Powered by nature's potent botanicals, it's naturally fragranced with mandarin orange, rice milk, and calming botanical oils.
When something tangible isn’t what you have in mind, gifting an experience is all the more memorable. While on a trip to Turkey, founders Jamie and Michael Brown experienced the holistic rejuvenation of the hammam baths in Istanbul—a centuries-old cultural tradition that creates harmony among the mind, body, and soul.
The wellness retreat at the Marmara Park Avenue hotel in New York City brings a similar sense of relaxation, evoking the purifying hammam rituals in a bathing room inspired by the practice. This experience will immediately transport you, mind and body.
Bring the hammam home and elevate your everyday rituals with our 100% cotton Turkish Towels. A practical and luxurious gift, the spa-day-worthy towels are handmade with the coziest cotton that, with each use, will always feel soft to the touch. A home staple that will get lots of love, the towels also feature modernly intricate patterns that further beautify the spaces they inhabit.
A shimmery body oil is often associated with sunkissed, summertime skin, but we find it to be just as essential in the winter since it is supercharged with Vitamin C and CoQ10.
Sunday Riley’s Fairy Godmother Body Oil nourishes the skin with antioxidants and leaves it gleaming with radiance. It’s the perfect last step to add some glow after a bath or a great way to shine with luminosity at all the upcoming holiday parties.
Our newly released May Collection Champagne Glasses are truly functional art pieces. It is a classic champagne glass with a modern silhouette. Adorned with a timeless vintage touch, the handmade glasses are made from quality Czech-sourced borosilicate glass.
The glasses are an elegant way to sip on your favorite bubbly after a long day or toast to your companions around the holiday table. Stylish champagne glasses are a must for the holiday season!
As we all know a matcha lover (or may be one ourselves), a Japanese Matcha Tea Set is the perfect gift that provides both inner peace and nourishment. Tea ceremonies, a tradition dating back centuries, is innately philosophical. The ritual’s significance prompts mindfulness and intention, making it a perfect way to start the day with a clear mind.
The set contains a whisk, tea scoop, ceramic bowl, and green tea powder; all components essential to the ritual. Mainly served to friends, family, and associates, Jamie and Michael experienced the hospitality of the ceremony during their travels to Kyoto, Japan and have great respect for the tradition.
For those on your list who seek the unique, exciting and exceptional, an Elysian gift card will guarantee them something special–just on their own accord!
From textiles to glassware, every piece in the Elysian catalog holds significance that will inspire the senses of your loved ones, opening them up to a world of artful delights.
(Amanjena Shown, courtesy Aman).
On the northernmost tip of Africa is a culturally rich metropolis that embodies the beauty of the past and the spirit of now: Morocco. The country’s vast landscape offers nearly every terrain, from mountains to desert to sea to city. With each terrain comes new adventures to have and new lifestyles to explore, making it an ideal destination for any traveler yearnful of awe-inspiring experiences. Discover Morocco’s vastness in the cities of Casablanca, Marrakesh, Chefchaouen, and Tangier; though each city possesses distinctive attributes, a thread that weaves them all together is the ever-present feel of beauty.
"Some beautiful paths can't be discovered without getting lost.”
Casablanca is a standout city not just in Morocco, but in all of Africa. An up and coming hub of arts, culture, and commerce, Casablanca represents Morocco's past, present, and future. Visit the cafe-lined streets of the old city to take in its historical Mauresque architecture, or take to Casablanca’s coastline for luxury shopping, beach clubs, and fine dining. Casablanca is also a landmark destination, home to the ornate Hassan II Mosque and one of Morocco’s four royal palaces.
Not to be missed for design and architecture aficionados is the Mahkama du Pacha. Built in 1941 during World War II, this stunning Moorish architecture serves as the city building and courthouse. The arabesque plaster, archways, and intricate patterns within the traditional tiling details is a treat for your eyes.
Wrap up a day of sightseeing at chic restaurant La Closerie to enjoy craft cocktails and French cuisine in a timelessly modern interior.
For history’s artists, designers, writers, and visionaries, Marrakesh has long been a source of inspiration. Palm trees, red buildings, and souks are some of the most notable pillars of the city – along with the well-known desertous heat. State-of-the art hotels and riads offer Moroccan hospitality in a luxurious setting, making for a comforting sanctuary in an otherwise restless city. We recommend staying at L'Hôtel Marrakech, which feels like a collection gallery that has been curated over time.
Designed by well-known British designer, Jasper Conran, the contemporary, yet refined take on a Moroccan riad will make you feel you've stepped right into a luxurious home. There are feelings reminiscent of the 20's and 30's in the air. Conran masterfully hand-selected a collection of art and antiques to celebrate the architecture and culture in a fresh, relaxing way.
Like Marrakesh, Tangier is a city that beckons artistic expats and journeying writers to its shores. Its white buildings perched on hills overlook the Strait of Gibraltar, and are a wondrous element to the city reminiscent of other Mediterranean destinations. The hills are home to the Dar el Makhzen, a museum that gives visitors a look into the country’s past sultan rulers through its arched pathways and elaborate architecture.
On lower grounds is a walkable beach city, where the boardwalks provide ocean vistas that you can wander along for hours. A worthwhile restaurant on these boardwalks is El Tangerino, a spot for Spanish fare with a hint of Moroccan twist; it’s only a ferry away from Spain, after all.
Although Marrakech is a destination for high dining, the most immersive experience is to visit a food vendor in the Jemaa el Fna marketplace. The souks will lead you to the center of Jemma el Fna, where you’ll be thrown into a chaotic but invigorating space filled with the scents of sizzling food, voices of international travelers, and the humming of occasional snake charmers.
Not too far from the port city of Tangier lies a hidden gem nestled in the Rif Mountains, Chefchaouen. Known for its richly blue buildings that fill the city walls with color, Chefchaouen is one of the best cities to get lost in. As you traverse the labyrinth of the medina, you’ll pass specialty storefronts, scurrying cats, modest tagine restaurants, one-of-a-kind crafts, enveloped in a sea of blue buildings as you breathe fresh mountain air.
Be sure to stumble upon La Botica de la Abuela Aladdin, a soap shop filled with handmade creations and fresh aromas that will forever remind you of The Blue City. Artisans of many crafts also have a strong presence in Chefchaouen, where you can connect directly with makers of clothing, lamps, rugs, and more. Elysian Collective sources rugs from Morocco for this very reason: the tradition of craftsmanship is unwavering and unparalleled.
Elysian Collective's plush, handmade rugs are sourced from a mountainous region not too different from the area around Chefchaouen, where Amazigh crafters from the Beni M'rirt tribe carry generational expertise in the art of textiles. In regions around the Atlas Mountains - home to the women-led Beni M'rirt tribe - is where you'll find the many astonishing variations of carpets know as "Beni" - an Arabic word meaning "son of" or people/tribe/kin. There is a true sense of community and care than can't be replicated in the creation of any rug.
Between the intricate patterning, textile sourcing, and narrative of culture that is fused within each piece, telling stories of their shared strength and feminine power. The Beni M'rirt area rugs are made from pure 100% wool with graphic patterns entwined with the natural fibers that make for a visually stunning and sensually stimulating centerpiece. The Beni M'rirt tribe is know for using dark, bold colors and a double knot with a dense pile giving their rugs and elegant look and sumptuous feel. Woven strictly by women in motifs that represent fertility, strength, or a totem of protection, M'rirt rugs delight the senses and are a treasure to behold.
For inspiration-seekers, art connoisseurs, and stumbling tourers, Morocco is an inevitable destination. Though a relatively small country, there is so much diversity within its landscapes, structures, and communities. From mountains to coast, one thing remains constant throughout Morocco, and that is the culture of its people. A sense of togetherness, treasuring of roots, and a need for joy drive the Moroccan lifestyle, and many of these cultural aspects are expressed through food, design, and connection; all of which are available to the traveler if they seek to find it.
The art and practice of glassblowing long predates the 21st century, and many before it. As glass became more of an everyday item, so did the aesthetic desire and appreciation for it. Its delicacy carries a sense of preciousness, its smooth finish sits comfortably in hand. A transparent piece of glass can be tinted with color, molded into artful shapes, detailed with ridges, and in that delicate refinement it crosses the threshold of functional object to one-of-a-kind art.
With its earliest origins dating back centuries, glassblowing is more than a historical practice–it satiates the human need for creation. The careful attention paid to detail and accents in glass making demonstrates the intimate focus between an artist and their art. Glassblowing creations are at their most masterful in the Czech Republic, which has perfected the process through generational traditions of both consistent work and innovation; a combination resulting in the world’s finest glassware.
A talented artist and recent addition to the Collective, Felicia Ferrone’s works are created with the utmost excellence in the Czech Republic, as well as in her home studios in Chicago and Milan. As she cultivates her collections, she infuses each piece with an artist’s love with the addition of intricate details, unique shapes, and a sense of unbridled play.
Felicia Ferrone's namesake brand is based in Chicago and Milan. A multi-faceted and multi-talented artist, Ferrone is skilled in an array of creative forms, with glassblowing being among her most prominent mediums. Her work demonstrates the innovation working with glass allows, spanning classically modern to novel and unconventional aesthetics that stand strong with character.
Ferrone spoke to Elysian Collective about her connection with glass, and how turning a molten material into an elegant vessel remains as the most inspiring artistic process.
“I love working with mediums that simultaneously have endless possibilities and many restrictions,”
Ferrone became a student of glass when living in Milan, where she began working on her first minimalist-driven Revolution Collection that later expanded into a design studio. Ferrone’s second collection in the studio, the Margot, displayed an evolutionary jump from steadied simplicity to sheer maximalism–demonstrating the versatility of the medium, and the freedom at the helm of the artist.
"I am obsessed by proportions, understanding they can make or break an idea and beauty.”
Ferrone’s meticulous attention to detail is a pillar of her work, where production is done completely by hand, eschewing the need and convenience of molds for the pure passion of the process. “It is through this understanding that I am able to push the boundaries both of the technical as well as
what the craftsmen are able to do by challenging them in new ways of using the material and process,” says Ferrone, noting a careful use of the hand in order to create boundless design iterations in her work.
"It brings me such joy the moment I decide a design is finished–I just want to show it off to the world and shout from the rooftops.”
Elysian Collective is greatly inspired by Ferrone’s connection to glassware, and we feature a number of her works in our catalog, including the studio’s Margot, Tulip, and Rare collections – widely beloved by the world’s artists, creatives, and tastemakers. Ferrone’s work is a feast for the eyes; upon a single glance, it stands as a striking work that adds aesthetic value to your glassware collection. As you further regard the pieces, the complexities of design capture your attention, making for an awe-inspiring moment of appreciation for the object. And like any other artistic medium, the ultimate importance of the creation of glass is the need to share that beauty with the world.
Discover Felicia Ferrone’s works at Elysian Collective in the gallery below.
The Margot Collection is Felicia Ferrone's maximalist line of glassware. A modern take on cut glass and entirely hand-formed, the Margot Collection inverts tradition with intricate interior detail, making it glassware for those who seek generous, ornate touches in their ideal home design. Adored by creatives and stylists, this Collection has graced the homes, events and wedding registries of the most stylish taste-makers. It is the ultimate toasting glass.
The third annual Kips Bay Decorator Show House in Dallas is currently on view through September 25th, 2022. Elysian Collective co-founder Michael had the exciting opportunity to collaborate with her long-time friend and fellow Designer, Jessica Davis of Atlanta based Atelier Davis. Jessica and Michael brought their creativity together to envision and select a few hand-crafted pieces from Elysian Collective's line that would flow beautifully with Atelier Davis' design of the primary hall and powder bath. Michael's styling eye brings a unique, sometimes quirky, special touch and interesting visual layer to the stunning space.
A native Texan herself, Jessica gave a nod to the house’s surroundings with a sorbet-colored hue (Benjamin Moore's Grazing Fawn) on the walls to mimic the warm golden hour glow from the late afternoon sun. An eye-catching onyx-print wallcovering by York Wallcoverings, reminiscent of limestone abundant throughout the state, caps off the space at the ceiling, while a deep clay colored staccato print drapery by Brook Perdigon Textiles envelops the space creating a jewel-box like effect.
Perched atop the elegant ebony console table at the landing is Elysian Collective's limited-edition Latona Bronze sculpture, whose feminine curves and natural bronze patina perfectly accent the earthy elements that flank it.
Further into the hall a painting of Texas flora by talented Dallas and Austin-based artist Erika Huddleston anchors a chartreuse velvet-covered bench, which is draped with our Abans Linen throw, softening the space with it’s natural earthtones and flowy character.
The color palette deepens as you move into the powder bath, which is expertly swathed in a West Texas desert-hued stone mosaic by Artistic Tile. Perfectly adorning the dramatic autumnal vanity top, also by Artistic Tile, is a selection of Elysian Collective vases: The Forma Rosa Wave Form vases in matte black and experimental green complement each other while bringing nature in with their soft, organic silhouettes and finish. The Wave Red Clay Vase by Oaxaca-based rrres estudio anchors the trio and pulls in the warmth of the surrounding finishes.
Juxtaposing the Kohler faceted glass vessel sink is a trio of our beloved Bola Sabão soapstone pots, whose brass accents echo the jewel-like sink hardware. As a perfect flourish, the Rosa Negra scented candle infuses the room with the subtle fragrance of rose, cedar, amyris and amber grey, solidifying the memory of this unforgettable space.
Kips Bay Boys and Girls Club is a fantastic organization whose mission is to enrich and enhance the quality of life for young people by providing educational and developmental programs for youth who come from disadvantaged or disenfranchised circumstances. For over 40 years the organization has celebrated the best of interior design by transforming luxury homes into an elegant exhibition of fine furnishings, art, and technology. Began in 1973 in New York City as a way to raise funds for much-needed after school programs, over the years the Kips Bay Decorator Show Houses have become must-see events for design enthusiasts around the country.
Now in its third iteration, the Dallas Show House is on view from September 22nd through the 25th. For more information, click the link below to visit the Kips Bay official website.
A rare and beautiful object has the power to change the energy in a room. To evoke emotion and memory. To stimulate the senses. Surrounding oneself with a collection of meaningful objects that were crafted with intention, with responsible stewardship of the earth in mind, is a sustainable way to elevate our environment. Valuing a slower approach to consumption is a holistic, all-encompassing lifestyle to adopt; one that adds not just aesthetic and emotional value, but spiritual as well. Elysian Collective strives to provide carefully selected objects with both the beauty of our personal and natural environment in mind. Founders Jamie and Michael operate on a system of values that lives at the core of the brand, where human design and ethics are paramount.
As consumers, many of us may wonder how our shopping habits have an impact on the world around us. In an Architectural Digest article titled "The Fast Furniture Problem" by Bailey Berg, Berg highlights a fairly new phenomenon the home décor industry is facing: fast-fashion levels of overconsumption. "The EPA estimates that 9 million tons of furniture are tossed every single year," writes Berg, later stating that a large amount of this waste was produced within the last 10 to 15 years. According to sustainability researcher Ashley Piper, "'it’s usually new furniture that’s being tossed," largely due to the fact "it’s just not built to last and there aren’t repair programs for it. It was intended to have a short lifespan.”
The home décor industry is projected to be worth $202 billion by 2024, which invites a world of mass production to meet the demands of consumers. For those who wish to do their part in reducing environmental and social impact while still surrounding themselves with the unique, exciting and beautiful, high-minded shopping is a conscious way to do so. When choosing to buy from independent brands (and in the world of art and décor , independent designers), you are helping to support local economies through the mindful curation of your collections.
At Elysian Collective, we are captivated by the power of design and the stories an object can tell, and we express this reverence by analyzing the impact of our suppliers, affiliates, and partners. Both human and environmental aspects of each step of production are considered, from cultural practices to work environments to the raw materials used. The impact of many mass-produced products often wreak havoc on natural environments, which disrupts not only ecosystems but damages communities as well. When shopping at Elysian Collective, a detailed exploration of each product's provenance is provided: its designer origin, material makeup, and an overall breakdown of the process for full transparency. We do this to promote consumer awareness of where our belongings come from, and the importance of their origins from a cultural and environmental standpoint.
It is our mission to discover and celebrate a variety of artists that uniquely uphold and align with our values. For example, our textile partner in Spain, Teixidors, pours their heart and soul into weaving ecological merino wool, premium cashmere, and Masters of Linen® certified, 100% organic European linen into stunning artisanal pieces. We proudly partner with Teixidors not only for their mastery of weaving and use of exquisite natural materials, but for their social mission as well. We admire that their company makes it a point to not only work with sustainably-sourced organic materials, but also employs individuals with intellectual disabilities as a part of their mission. Each extraordinay creation evokes the hands of the weavers, as the technical sequence of weaving becomes their language and stimulus. Teixidors’ luxurious wool can be found at Elysian Collective with our Time throw and pillows, and Temps pillows which make for a lush, sensual experience. We also offer the highest grade European linen Abans throw, a lightweight covering that feels delicate on the skin and soothing to the soul.
We value building cooperative relationships with rural communities to source exquisite creations from the designers and artisans of those regions; many of which have a long perfected practice in their art. Mexico-based rrres estudio honors its Latin American roots in everything they do, from design references to community craft. Truly connected with the landscape around them, the studio works with locally sourced wool, cotton, clay and palm by hand. Using natural dyes from indigo, flowers, and tree bark, rrres' pieces are infused with vivid color and pattern.
Rrres estudio's designer, Javier Reyes, spoke with Elysian Collective about his artistic vision and how that is expressed through a community mindset. "The idea is to work with artisans directly...[we have] four people in the studio so we try to do everything as personal as possible. The kind of production we want to pursue gives us the opportunity to distribute more money equally to everyone," says Reyes. "The question is what can I return to the community that’s not in the form of [payment]? It’s an interchange…the idea is to move more toward leaving something behind in the places that we work that leave some kind of an impact. How can we return some of the things that have been given to us?"
One of the most central pillars of the Elysian Collective brand is our appreciation for the objects themselves. We believe that the pieces we bring into our spaces should be revered for their beauty - whether it’s understatedly quiet or boldly brazen - treasured for its functionality, and admired for the stories it represents from the origins of its maker to the sources of its materiality. There is much power an object can hold, and honoring that power makes for a truly sensual space.
Making space for vintage works can tell even more complex stories than those of new belongings. We currently offer vintage homewares from various parts of the world that represent different eras in art and design. Our love for and fascination with works from the past leads us to the process of expanding our vintage findings. Secondhand shopping for one-of-a-kind vintage pieces is an exciting way to shop that promotes circulation, where one item is given a new life without the production of something new.
In our company philosophy and daily operations, sustainability and ethics are the pillars that we stand on. As a brand, we take steps to ensure that eco-conscious high-mindedness is at the center of all our practices: from the designers we work with to the raw materials we select. We aim to bring objects with permanence into the lives of our shoppers. We honor the people that create our products and the intricate processes that it takes to produce them – a factor that adds to each item’s significance as much as its aesthetic beauty. Though we are constantly finding newly inspiring pieces to bring into our Elysian Collective world, our high-minded principles remain the same.
Elysian Collective is thrilled to partner with an emerging, one-of-a-kind brand. Based in Brooklyn, NY, Forma Rosa Studio was founded by industrial and architectural designers Maria Teresa Castillo and Santiago Braby Brown. From crystal shaped lamps to abstract tiered vases, Forma Rosa’s works are functional art pieces that both beautify and elevate their surroundings. Maria and Santiago bring a unique blend of their backgrounds from the American northwest and Peru, referencing flora, fauna, and an exotic array of natural phenomena in their design process. Each piece is digitally formed in their Brooklyn studio, and handcrafted by master artisans in Peru. By pushing the unexpected clash between the digital design of our generation and artisan craft, they sculpt a modern approach to traditional technique.
FORMA ROSA STUDIO. DIGITALLY GROWN, HAND CRAFTED
Maria and Santiago's exponential growth in success is greatly reflected in their glowing features from a number of prestigious publications — including Vogue. From Wallpaper Magazine to Architectural Digest, Forma Rosa Studio's press coverage has celebrated the brand's ingenuity, naming them as someone to watch in the design world.
The cultivation of our fall collection has been a summer long endeavor. With expansions to our vintage line and the addition of new categories to come, Forma Rosa Studio's Wave Vases are among our most stimulating additions. Expertly handmade by artisans in Peru, the vase stands as an intriguing multi-functional work — whether purely as decor or home to a stunning floral arrangement.
As for more works joining our catalog alongside Forma Rosa Studio's vases, we will continue to unveil more of our disoveries as we approach the fall season. For continued sneak peeks and new product arrivals, be sure to follow our social media and sign up to receive the email newsletter.
Our connection to the outdoors is a spiritual one; its comforting aura is felt while observing it, feeling it, and being enfolded in it. Nature elevates our corporeal and visceral senses, and bringing elements of it into our world indoors encapsulates that serenity.
Elysian Collective's sustainable summer textiles enhance your senses as you interact with them. A lightweight linen blanket envelops you in a sense of ease while assuring breathability, and an earthy cotton pillow texture provides a grounding, gentle graze across the skin. At Elysian Collective, we consciously procure textiles of the most exclusive quality that makes your world all the more plush and comforting.
To experience the soft touch of a refined cotton is both soothing and stimulating. We often associate cotton as the most optimal material for clothing during the hotter months, but it is also vital for interior spaces. From hand towels to pillow covers, having cotton present in the home brings the coziness of the colder months without the trapping nature of it.
Sourcing cotton leads Elysian Collective to three cultures with the most masterful modes of creation and rich handwoven history: Mexico, Spain, and Turkey. Mexico’s history in textile creation dates back centuries to 1400 BCE, with pedal loom weaving being a prominent practice in indigenous communities.
Our 100% cotton towels from Mexico – the Zicatela, Felipa, and Zipolite – are seamlessly woven with this ancient method, providing an idealized form and airy feel against the skin.
Turkey’s expertise in cotton weaving is also unparalleled. Handmade on looms for centuries, Turkish cotton manifests itself in public and private spaces – from bathhouse towels to parlor throws. The sensation of Turkish cotton is a premium one; the luxuriously soft and absorbent fibers are cushiony, comforting, gentle, and do not compromise on both feel and lightness. The stylishly modern Lydia, Sinope and Sumer towels are versatile in that they can also be used as a blanket or throw, whether laid upon beach sands or draped over your sofa.
Linens are the perfect material to wrap yourself in while maintaining a free feeling on the skin necessary to stay cool. European linen, made from fine flax found in Western Europe, is the most natural and ideal form of the textile. Made from the best quality raw materials, its high breakage point makes it durable and long-lasting for many years. Modern and sensual, the Abans Linen Throw and Sempre Linen Throw Pillows are both handmade with 100% European linen. Our linens are also 100% “Masters of Linen” certified, classifying them as the highest grade of quality, expertise and sustainability.
Elysian Collective carefully selects the most sumptuous summer textiles and high-quality raw materials in all of our products for the collection. Jamie and Michael’s expert knowledge of textiles guides them to source with intention straight from the communities that specialize in weaving, down to the specific fibers. With globally sourced materials that are of the highest grade in comfort, design, and production, a coolly restful atmosphere is guaranteed.
As someone with globally inspired sensibilities, my personal design aesthetic is well-traveled and eclectic. I strive to fill my home with objects and decor that remind me of my most memorable experiences – handwoven textiles from Turkey, sculptural treasures from Mexico, exquisite ceramics from Japan, and vintage finds that speak their own history. I enjoy creating stories about the people who once owned them; envisioning their lives, loves, connections, values, and the retreat they created for themselves. Boosting one’s holistic wellness within interior environments is also incredibly important to me, and after taking a Parsons course on healthy materials and sustainable building, I feel even more of a drive as a designer to create luxury spaces that are not only beautiful, but healthful as well.
WHY I LOVE IT
Most Turkish rugs are made of a soft wool, with colorful and tribal motifs that note the inner thoughts and dreams of their makers. The quiet modernism of the Striped Anatolian Hemp Area Rug was fascinating to me, as the contemporary patterning felt current and timeless. I also love the story of the reuse of vintage hemp fibers. It is a piece that seamlessly combines the old and new.
WHY I LOVE IT
Milled from natural fibers sourced from small flocks of Heritage Sheep, the Redwood Throw Pillow is a modern heirloom. The way the artist uses felted wool to “paint” the pattern is so visually striking, and the rust color is reminiscent of its American West influences. Wool as a material is natural, sustainable, and durable. As the artist notes: “Natural fibers are the finest fibers in the world. Made by nature, they return easily to nature, but not until after many, many years of enjoyment by us humans, since natural fibers can last longer than most synthetics.” JG Switzer
WHY I LOVE IT
A true luxury home decor staple, the Black Marble Akumal Plate is a dramatic display of Monterrey black marble with distinctive veining atop a Tzalam wood base. A sculptural piece with such classically modern beauty as the Akumal Plate is all you need to enhance a table or countertop.
WHY I LOVE IT
Scent is so important to creating a perfectly moody ambience, but so many candles and home fragrances use synthetic materials or paraffin wax. These materials do not burn clean, thus making it unhealthy for air quality. Our Scented Candles use clean-burning soy wax and natural fragrances. It’s so hard to choose a favorite, but I love the sensual floral nature of the ROSA NEGRA, grounded with cedar and amber undertones.
WHY I LOVE IT
Turkish cotton towels are a delight – they’re so buttery soft, and remind me of a trip Jamie and I took to Istanbul where we went to The Kılıç Ali Paşa Hamam twice over the course of a few days. The Lydia Striped Turkish Towel is so special not only for its luxuriously supple feel, but also its delicate striped pattern that beautifies the bathroom.
It seems as though the city of Paris was created to serve the needs of artists. Drawn to the city based on their own creative endeavors, the Elysian Collective founders recently visited France’s capital on a design buying and sourcing expenditure. Between the deliberate splendor of the architecture to the cafe-lined cobblestone streets, there is an overwhelming air of beauty everywhere: in exquisite galleries, energetic flea markets, and enchanting rooftops. Continue reading to gather some of Elysian Collective’s favorite Paris gems, from our travel journal to yours.
Galerie Alexandre Guillemain in the 6th arrondissement is a paradise for art lovers in one of Paris’ most awe-inspiring districts. This St. Germain gallery caught the founders’ attention most potently as it housed a diverse set of luxurious works from numerous artists and designers from the 20th century to now. Mid-century furniture and antiques, handmade ceramics, and expertly crafted sculptures are only a few of the marvels the gallery has on display.
Where To Find It?
18 Rue Guénégaud, 75006 Paris, France
Les Puces de Saint-Ouen is globally known for being one of Paris’ best treasure troves. Inside the sprawling indoor and outdoor flea market, you can discover unexpectedly magical finds, whether it be freshly designed décor or one-of-a-kind vintage furniture. A standout in Saint-Ouen is the Paul Bert-Serpette market – the largest antique market in the world. Meandering through the magical halls is a dream for any Interior Designer looking for inspiration or the rare and beautiful, around each corner is another era to discover.
Each piece has traveled from other places and holds rich stories of their lives, the spaces they’ve lived in, and the people who have passed them down. Exploring Serpette was the highlight of their Paris sourcing trip where Jamie and Michael continued their journey of hand-selecting pieces to build their Vintage Collection, debuting next year! To be the first to know about our new product launches, including our vintage line coming soon, join our mailing list to get notified!
The Monsieur George hotel, located in the Champs-Elysées, is one of the most unique in a sea of accommodations in Paris. Conceptualized by female designer Anouska Hempel, the Art Deco-style hotel features her modernist perspective in ultra-moody, yet elegant rooms that capture the timeless elegance and soul of the city. For those who wish to dwell and indulge within the hotel walls, the fine dining restaurant, Galanga, is a gastronomic sensation, while the dramatically designed bar remains a favorite of our founders’ who recommend sinking into the cozy corners of emerald green velvet. For those who wish to indulge in relaxation, the cave-inspired spa, Le Tigre, is a delicately designed hub of peace to help tend to your self-care needs.
Where To Find It?
17 Rue Washington, 75008 Paris, France
Out of all the grandiose dining destinations Paris has to offer, the perfect quality of Robert Restaurant in the 11th holds our fondest food memories. The Michelin star-rated vegetarian dishes encapsulate the finest aspects of Parisian dining: the highest ingredient quality, culinary know-how, immaculate presentation, and heavenly flavor. Straight from the garden, to your plate. The modern, charming interior of Robert serves as the backdrop for an exalted dining experience that is remarkable for its simplicity.
Where To Find It?
32 Rue de la Fontaine au Roi, 75011 Paris, France
For every Paris traveler, it is imperative to experience a breathtaking rooftop with ravishing views overlooking the city’s Hausmann buildings, monuments, and of course, the Eiffel Tower. Mun is the Champs-Elyseés’ premiere rooftop destination, featuring a refined interior of luscious velvets and high-gloss black lacquer, Asian fusion food & drink, and a plant-laden outdoor space with ravishing views.
Where To Find It:
52 Av. des Champs-Élysées, 75008 Paris, France Mun
The Chateau Voltaire is situated in one of the most historical sections of Paris' 1st arrondissement and is a beautiful place to find yourself – and most importantly, drink. The hotel bar, La Coquille d’Or (The Golden Shell), offers a world-class mixology menu. A golden shell ornamented door beckons Saint-Honoré wanderers to stop in for a drink, whether it be a signature cocktail or classy aperitif. The dimly lit interior space features ornate upholstery and aureate shell motifs, making it an ideal setting for brooding, lounging, and intimacy.
Where To Find It:
55 Rue Saint-Roch, 75001 Paris, France
For fellow travelers in search of wondrous exploration and elysian experiences, our best spots were unforgettable experiences for the founders in a city overwrought with beauty. Paris will forever be a source of inspiration for Elysian, and we hope that other pleasure seekers, as we have, can create their own love story there.
Rrres estudio fuses the natural beauty of old world craft with the ingenuity of modern design. The mind behind rrres is graphic designer Javier Reyes, whose Dominican roots can be pointed toward for the Oaxaca-based studio’s Latin American sensibilities. With an emphasis on indigenous artisanal practices, the studio’s wool, cotton, clay, and palm leaf offerings tell a story of its cultural origins alongside its unique design elements.
As you explore the studio’s dynamic and colorful website, you will stumble upon the boldly simple declaration: “rrres means nothing.” The project’s ambiguous name suggests no mystery at all, noting that the inspiration behind Reyes’ works is in the sum of all parts, in the collective that creates it. The studio encompasses the vast lands it hails from, the heritage of people it represents, and the generations of craftsmanship that is a pillar of rrres’ works.
"A lot of the work at the beginning especially was related to the impressions I had living with the artisans, working together with them. You completely disconnect from your own; no matter where you come from, we’re not used to this kind of background. It’s very special and very beautiful."
Among the most inspired and signature pieces are rrres’ handmade, 100% wool rugs — the work that initially inspired Elysian Collective’s intrigue. The Place & Space Area Rug, custom made for Elysian by local artisans in Oaxaca, is a tapestry of the culture it originates from: boldly designed, energetically spirited, and abundantly inspiring. The piece is dyed with natural resources local to the area, including indigo, flowers, and tree bark — all of which create the vivid colors mixed and matched together.
In an illuminating Q&A, we spoke to Javier Reyes to gain more insight on and hear the story behind the artist's creative process, environmental inspiration, and community connections.
EC: What does your work say about you? Are there any specific works that best express who you are as an artist?
JR: It’s the overall project. The idea is to work with artisans directly, the system we have, it’s the bare minimum of four people in the studio so we try to do everything as personal as possible. The kind of production we want to pursue gives us the opportunity to distribute more money equally to everyone. We’re not working on a ways of, let's just produce this year 10,000 pieces of this, and a couple more here and there, and sell it as much as possible. Nothing wrong with that, nowadays that is the way most people work. You can’t work with a factory and be like, I'm ordering ten.
In the case when I came here, I saw the possibility to work with artisans directly in a more organic way that translates to: you order one piece. The project itself speaks the best of who I am in that way, with trying to be honest with everyone; not only artisans, but the people I’m selling these pieces with. I want to be transparent with what is the cost of this piece, what you’re supporting, what this means. The idea inn the future is to develop more programs or things that return to the community, because I believe that money is not the way of paying back or contributing. It’s one step in paying each artist fairly and working ethically with everyone, it’s a big step in the world we live in nowadays. The question is what can I return to the community that’s not in the form of [payment]? It’s an interchange…the idea is to move more toward leaving something behind in the places that we work that leave some kind of an impact. How can we return some of the things that have been given to us?
EC: Where in your outside environment do you pull inspiration from? What do you want to communicate about Oaxaca and your connection to it through your work?
JR: My interest in the past six years has to do a lot with Latin America…I come from the Dominican Republic so we have a particular history that normally not everyone Latin America experiences. Just thinking about myself, I didn’t see the full depth of things so when I went to Europe and lived there, it was interesting to see that side of the mix we have in Latin American. When I came to Mexico and I started working with people who have roots with their indigenous heritage, these two worlds collided. It made sense to work toward understanding more of the history and culture that we are right now, that is this mix of crazy and incredible things. What inspires me in what I work on is seeing the similarities between Mexico and Dominican Republic and other places in Latin America, and seeing similarities in the ways that we have and in this need of creating and making things colorful, the combination of colors, and the risk.
Going around the theme of knowing history and culture in relation to Latin America, a lot of pieces have to do with things I learned here from the beliefs and the people here have a very strong culture. They keep their traditions alive. Latin America is a mix of things; a melting pot of different cultures mixing together, and creating a new one. In this case, it’s being preserved, especially in Oaxaca. It is very special for that. A lot of the work at the beginning especially was related to the impressions I had living with the artisans, working together with them. You completely disconnect from your own; no matter where you come from, we’re not used to this kind of background. It’s very special and very beautiful. Without romanticizing their culture, I was able to see the relationship they have with death, the dedication they have with the altars they keep in their houses to honor or remember people in their family from the past. A lot of the series at the beginning had to do with the life that they had…Being as an observer and trying to portray that in some of the series.
There was a lot of inspiration from architecture, especially in Mexico City. It’s a city that was very impressive to me, and maybe I feel attracted to that architecture. You can never figure out what’s going on. We don’t have rules for anything and that applies to the way we build our cities, build our society. It can be very frustrating but it can be very beautiful at the same time.
Mexico City was the trigger for all the shapes and all the solutions; it is very geometrical. When I see this, I always go back to Dominican Republic and where I grew up, and seeing patterns I recognize. So a lot of inspiration was coming directly from a general idea of architecture.
The Land series, which is the last one, was very special. It takes elements from this architecture and there is a lot of subtle language with the shape that looks like an eye or one that is rounded, it could be [an image of] corn or the eye. It has connotations that relate to the architecture but also mixing it together with the beliefs and the people I work with.
When I am working on pieces for rrrres, the idea is to [not just] focus on Oaxaca, but what I wanted to say, which is the statement I have on the website, is “made in Latin America.” That’s more important than just showing the product itself, making the statement that this is Latin America as my point of view in one detail that is in design, art, or expression. My intention is just to show the pure side. I feel like in design, the perception of art that we have is the conception in Europe that it’s just about the aesthetics we should apply. I’m trying to make it...what is Latin America? What is it for me? That is an intention, trying to just portray a little piece of an essence of what I feel is our culture.
EC: What drove you to collaborate with your local community and feature their creativity and handiwork in your studio?
JR: I moved to Oaxaca to have this direct contact [with the community]. Six years ago when I started, I was not able to live here and it was a very different process. When you come here, it’s special and it’s really beautiful, but when you start living here there’s a sense of responsibility not to be confused with “oh, I’m going to save these people,” [because] that’s not the approach. You feel that you’re giving some knowledge or access to information, and feel the need of: How can I share this? How can I contribute to this place?
The place has something that resonates with people. In my case, it expanded or opened my eyes to the culture and it was a way for me to understand and the work started flowing. I always think I’m in Oaxaca for that…giving me this possibility. I wanted to be as honest as possible in the process, concepts, production, who we work with, and what we leave behind.
EC: Is there any part of your process that you think people should know?
JR: The process is very spontaneous. It’s not premeditated sometimes; I just have images that start [to come], and then I start to recognize why I do certain shapes. What has helped a lot in the last years is focusing on the context I’m living in. Trying to be away from references and a lot of ideas; a lot of people get stuck sometimes and looking at books, Pinterest, social media, looking for these kinds of answers. It’s a great relief and it works very well when you also detox from that and focus on wherever you are. I would like to be resonating with the place I am and finding a relationship between how I feel in the place and where I come from, and where I am at the moment. My work resonates with the place and what is happening in that moment. It’s a constant collaboration.
EC: Are you and your team working on new collections? What’s the focus right now?
JR: I’ve been working on furniture, even creating lamps mixed with clay. We’re working on textiles that are made of cotton that are not similar to rugs, [more like] wall hangings. The last series, Land, has been doing very well and I want to make the right decision. I’ve been working on different series — there’s a lot of new things that aren’t necessarily rugs that are coming out; furniture, textiles, ceramic pieces, and adding more palm sculptures.
The ICFF, or International Contemporary Furniture Fair, is an annual trade show that features hundreds of the interior design world’s newest and brightest collections — a forecast into the near future of design aesthetics. The founders of Elysian Collective found themselves in the sprawl of the exhibitions in search of the rare and beautiful and were pleased to have found it.
During this year's ICFF event showcase, the expansive Javits Center became a microcosm of high art and design teeming with interior enthusiasts as they scanned the gallery displays. The ELYSIAN COLLECTIVE team was thrilled to be amongst those attending, and eager to be on the hunt for exquisite new pieces to add to our ever-changing collection of works. Between the earthy textiles, crafted wood, vibrant glassware, and avant-garde art, the show connects people through a mutual appreciation for exceptional creation, provenance, and beauty. Designers hailing from all over the world offer their global perspectives through their distinctive work, and there is a visceral sense of who they are spoken through design.
We were positively overwhelmed with inspiration at the myriad of collections at ICFF, with a select few emerging designers sparking our intrigue with their innovative ideas and exquisite craftsmanship.
Stay tuned for future collections and product drops featuring intriguing works from our top picks highlighted below. We would love to hear your thoughts, feel free to share your favorites with us in the comment section below!
Erika Cross’s perspective on her work is driven by a desire to innovate and exalt everyday objects with a utilitarian focus. She works with a variety of mediums from Carrara and Marquina marble to Yupo paper. Pictured above is "Snug," which is described by the studio as “a dialectical discourse between two different materials, juxtapose into a single vessel.” Serving the need for usage and sensibility, it is a striking and functional tabletop piece that embodies the vision of Erika Cross in its intentional simplicity.
Sisters Ayumi and Miya are the creatives that comprise Studio Ayumiya, and their path to design is inspiring and illuminating. Ayumi is a furniture and object designer by trade, while Miya is a Michelin star cook turned art studio director. Though their backgrounds are varied, they come together in perfect synchronicity to produce both textile and glass design that draws inspiration from their family heritage. Their rug designs were taken from their grandmother’s heirlooms, including her signature glasses and a signature broach.
Brooklyn-based studio and showroom Piscina incorporates inventive sculpture to everyday environments. The studio was founded by Cuban American artist Natalie Shook, whose creativity is exemplified through Piscina’s dynamic catalog of furniture, objects, and jewelry. Piscina’s playful and modular designs stood out to us, as they appear to reimagine function and naturalize a home with its signature earth tones and architectural shapes.
Irina Flore is an award-winning designer who puts the process of creation in the highest regard. Irina Flore’s design practice utilizes both traditional techniques and new technology in the crafting of everyday art objects. The works are statement pieces for the home that appear and function extraordinarily. We stumbled upon the artist’s drinkware set at the ICFF, as it sat colorfully and joyfully on its display.
Forma Rosa Studio encapsulates what it means to envision nature in unique forms. The designers, both hailing from the U.S. and Peru, pull from their respective natural environments to digitally design and tactfully execute an individual design piece. What caught our eye was the Wave Form Lamps, which were “developed with digital precision and hand crafted by artisans in Peru and Brooklyn,” and come in different sizes, glazes, and visual textures.
Jamie and Michael remain constantly on the hunt for intriguing artists who share their appreciation for the evocative power of design and seek to evoke deep emotional connections through their work. The ICFF and WantedDesign shows presented a wealth of fascinating design, signifying a renaissance of creation and creativity after the brutal years of the pandemic. Our team is eager to collaborate with these artists to bring their work to future collections.
If you are interested in collaboration, reach out to our design team - they would love to hear from you! Contact our team at design@elysian-collective.com.
Elysian Collective was born out of a desire to build connections with people, community, and artist partners. Visionaries and co-founders, Jamie and Michael, dreamt of Elysian Collective, and brought their brand to life to showcase discoveries to their audience at home from their extensive traveling. The two Interior Designers instantly developed a bond when they met over a decade ago while working in New York City. A connection deepened over their mutual love of hospitality, their impeccable design sense, and a strong desire to explore the world. Over the years, their journey as friends found them traveling together to places rich in tradition, craft, and design, including Turkey, Mexico, and Japan, where the two were energized and fascinated with the vast depth of talent to explore in each place. The seeds were being planted for Elysian Collective as they uncovered more and more discoveries, and inevitably led them to begin conversations of teaming up, which magically began while strolling through the Bamboo Forest in Kyoto, Japan.
With over a decade of industry experience combined with her natural eye for design, Williams seeks to always challenge perceptions. She focuses on creating environments and spaces that are not only beautiful and polished but are rich sensory experiences. Whether it’s through the unusual way materials are combined, how colors, pattern, and textures are juxtaposed, or the distinct mood they evoke. It all culminates into a sense of discovery for the details and stories that connect us to our surroundings, which is the basis of her design approach.
Williams graduated from the University of Texas at Austin with a degree in Retail Merchandising and a special focus on Textiles & Apparel. Through an experience working in store design at Neiman Marcus, she explored her passion for design, which immediately led her to move to the design capital of New York City to complete a degree in Interior Design at The Fashion Institute of Technology.
Williams embarked on her career in luxury hospitality design, working at top firms with projects around the world, including the Rosewood London hotel and Wolfgang Puck’s CUT in Dubai and Spago Singapore restaurants while with Tonychi and Associates. During her time as Senior Interior Designer with Tara Bernerd in London, Williams led the design for the Belmond Hotel in Maroma, Mexico, and collaborated closely with local artists and craftspeople in Guadalajara. This unique opportunity deepened her appreciation for regional materials and the ancestral techniques that have been passed down in families for generations, and sparked her desire to pursue building Elysian Collective.
Today, Williams aims to highlight these traditions by collaborating with talented makers and bringing new narrative focus to their creations. As a creative entrepreneur and the President of Elysian Collective, Williams is dedicated to the ethical treatment of artists and hopes to provide a platform which supports their work and livelihood. She believes that the objects we select for our spaces not only enrich our lives, but also those of the makers.
Michael Brown is driven by the experience between people and their environments. With an unerring eye for details beneath the surface, she possesses an innate sensibility for design that feels at once elevated and deeply meaningful.
Brown began her career in luxury hospitality design at Wilson Associates. She graduated from Louisiana State University’s CIDA-accredited interior design program, and moved to New York City upon graduation. Her time at the firm proved invaluable, where she built a dynamic portfolio of work focused on hotels, restaurants, lifestyle, and branding projects. Her experience with the hospitality industry's most notable flags and boutique hotels is inspired through a creative process focused on the tailored design and delivery of luxury products. Working on-site for projects in Asia and the Middle East instilled an appreciation for the precision and production involved beyond her concepts for spaces and products. She has added many tools to her arsenal since through travel, art, food & beverage design and branding.
Brown went on to lead high-profile projects as Senior Interior Designer at several top firms, including Gensler, Studio 11, and HKS in Dallas, Texas. From there, she further developed a keen spatial sensitivity centered on elegant spaces tailored to guest experiences.
In her 15 years in the hospitality design industry, Brown has always tapped into her empathetic nature to develop strong connections between people and her work. As Co-founder and Head of Brand Experience at Elysian Collective, she brings the same intuitive focus to building meaningful collaborations with new artists and makers, uncovering truly unique objects, and elaborating on the rich stories behind our ever-evolving offerings.
Jamie and Michael remain constantly on the hunt for intriguing ideas that are of the utmost quality and craftsmanship. The relationships that our team builds with our partners at Elysian Collective are at the core of our vision. They are looking to collaborate with innovative artists and designers, respecting the past throughout the process, who share our same values.
If you are interested in collaboration or design services, reach out to Jamie and Michael, they'd love to hear from you! Contact our team at design@elysian-collective.com
Oaxaca is a magical and scenic place; a rich tapestry of history, culture, art, architecture, and culinary traditions found exclusively in this region! Our Founders, Jamie and Michael, had the unique opportunity to explore this fascinating locale while sourcing for the Premier Collection. Throughout the sourcing trip, they were able to discover and meet with local artists to learn more about the people and artistry of the region; from traditional handicraft that spans generations, to up-and-coming designers borrowing from these traditions to re-interpret ancient methods into a contemporary language. Each maker they met has a unique story to tell—and we feel honored to share their history, the process of their creation, and the hands their designs passed through along its journey to you!
The Premier Collection is a celebration of earthy elegance rich with texture, exemplified in the exquisite textiles, rugs, throw pillows, and natural clay vases handmade in Oaxaca and carefully selected to bring the beauty of the region to your home. Oaxaca’s deep history in craft and cultural richness is showcased throughout the Premier Collection, along with the impactful stories of the makers that shine through.
ELYSIAN COLLECTIVE invites you to enter our world filled with these stories, eloquently told by the objects themselves, as we bring you along the journey to hand-select the collection, expertly made, ethically sourced.
Explore & Shop the Collection of OAXACA DESIGNS
Located on the southern-most tip of Mexico, Oaxaca finds itself uniquely situated on the trade route between central Mexico and Central America. Today, the state boasts the largest number of working artisans in Mexico, producing a wide range of products that continue to grow and evolve. The handmade designs are highly specialized by community, with each family developing their own style, allowing for a wonderful diversity within each technique. The motifs and symbols are strongly influenced by the indigenous communities of the region, and local materials have a great impact on what can be produced.
"Design is far more than our physical surroundings, it is the thread that connects us to people, communities, nature, and the world at large."
Welcome to the Premier Edition of Elysian Collective’s editorial journal, where we invite you to join us on this adventure, participate, and share. We always encourage the sharing of thoughts as we open this space as a place for dialogue and discoveries. Our journal is a collection of inspiration, design conversations, and highlighting stories from our makers and global travels. Come along on this collective journey!
Elysian Collective is an assembly of designers, artists, thinkers, and creatives founded on the principle that each and every collection piece evokes a feeling of intrigue, engages the senses, and conjures up memories and moods. We are a designer led business, which informs every aspect of our offerings.
Formed around a deep appreciation for the evocative power of the rare and the beautiful, the gallery’s distinctive offerings are embodiments of the ethos. Elysian Collective is distinguished by its Founders’ intuitive curatorial approach, which is guided by a deep resonance for materiality and form, construction and technique, and uncompromising quality.
Thoughtfully chosen by hand from around the world, our home decor designs are rooted in time-honored methods, enduring aesthetics, and a reverence for history and cultural traditions.
The soulful touch from a maker’s hand. Traces of ancient methods and memories. Our collection of textiles, rugs, art, accessories, and objects beckons you to explore the stories that evoke your senses and connections. From Argentina to Portugal, Mexico to Spain, every story brings forth intriguing details and intimate memories that captivate and connect. We invite you to enter a world filled with these stories, eloquently told by the objects themselves – captivating, thought-provoking. And ready to become a part of your own.
"When we speak of the power of the rare and the beautiful, we mean far more than the power of their physical presence. We believe an extraordinary object can cultivate a deeper, more meaningful connection to people and our surroundings."
Through their combined experience in luxury Hospitality Interior Design, Jamie and Michael, the visionaries, and Founders, seek to always challenge perceptions. They believe our environments are a rich, sensory experience that beckon us to explore - whether it's the way materials are combined, the tactile textures, or the visual patterns they create to stimulate our minds. It all culminates into a sense of discovery for the details and stories that connect us to our surroundings.
The two developed an instant bond over their mutual values and passions working as Interior Designers in New York City. They have collaborated closely with a range of artists and manufacturers around the globe, deepening their appreciation for regional materials and the ancestral techniques that have been passed down for generations.
The female duo shares their love of travel, culture, and impeccable design sense by joining forces to highlight these traditions and collaborate with talented makers to bring a new narrative focus to their creations. With meaningful relationships and authenticity at the core of Elysian Collective, the team is dedicated to the ethical treatment of artists, and desires to provide a platform which supports their work and livelihood. They believe that the objects we select for our spaces not only enrich our lives, but also those of the makers.
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At Elysian Collective, the entrepreneurial Founders are re-thinking the idea of what a gallery space can be, envisioning a new way of how our customers can interact with our beautiful products. A way to activate a sensory experience to incorporate sight, touch, smell, sound, intuition, and emotion.
More than ever, we believe human interaction and sensory experience are critical parts of enriching our lives and adding a meaningful layer. The team is developing an innovative future for Elysian Collective’s Gallery, designing a concept for their vision of expanding the online gallery into a physical space, a creative collective.
With their extensive experience in luxury Hospitality Interior Design, they are imagining a multi-functional hospitality gallery space to enable customers to experience the handmade designs in a personal, intimate way.
Through collaborating with the creative community, the space will showcase artists' work in a compelling and expressive way, including, but not limited to, private dinner parties, creative classes, and design talks. The Elysian Collective Gallery will provide a space to grow, learn, immerse yourself in experiential design, and propel innovative ideas forward.
Photography by Kara Marie Collective, Headshots by Paige Newton